Title Composer Gabrieli, Giovanni: I-Catalogue Number I-Cat. Concerti di Andrea et di Giovanni Gabrieli, 1587; Intonationi d’organo … libro primo, 1593 (wrongly attributed to A. Gabrieli in 1607 reprint) Sacrae symphoniae, 1597; Symphoniae sacrae … liber secundus, 1615; Canzoni et sonate, 1615; External links. Ahi, senza te, pretiosa Margherita, madrigal for 4 voices, C. 88, Alleluia quando iam emersit, for 6 voices (contrafactum of "Scherza Amarilla e Clori"), C. C1, Alma cortes'e bella, madrigal for 3 voices, C. 85, Amor, dove mi guidi, madrigal for 12 voices, C. 120, Angelicos cives, motet (atributed), C. S15, Angelus ad Pastores, motet for 12 voices, C. 5, Angelus Domini descendit, motet for 8 voices, C. 23, Audite coeli, motet for 12 voices (incomplete), C. 145, Audite principes, motet for 16 voices, C. 123, Beata es, virgo Maria, motet for 6 voices, C. 8, Benedictus es Dominus, motet for 8 voices, C. 62, Benedixisti Domine, motet for 7 voices, C. 11, Buccinate in neomenia tuba, motet for 19 voices, C. 84, Cantate Domino, motet for 8 voices, C. 61, Canzon No. W.W. Norton & Co., 1980. Giovanni Gabrieli (ca. 16: Canzon quarti toni for 15 parts, C. 185, Sacrae Symphoniae: No. Italian composer and organist (c. 1554/1557 – 12 August 1612). New York, 1996. 1557-1612) mirror the transition from the 16th-century Renaissance style to the 17th-centurybaroque. ISBN 0-393-95136-7; Kenton, Egon. Giovanni Gabrieli, reconstructed Hugh Keyte Ex Cathedra Choir , Concerto Palatino , His Majestys Sagbutts and Cornetts , Jeffrey Skidmore Berlin Philharmonic Brass Ensemble , Canadian Brass Giovanni Gabrieli, född troligen 1554 i Venedig i Italien, död 12 augusti 1612 i Venedig, var en italiensk kompositör och organist. The works of the Italian composer Giovanni Gabrieli (ca. Grout, Donald Jay. 15: Sonata octavi toni for 12 parts, C. 184, Sacrae Symphoniae: No. 27 ("Fa sol la re"), for 8 parts (same as Canzon No.9 from 1615 collection), C. 190, Canzon No. Donald Macleod delves into the life and work of Giovanni Gabrieli. 1555-1612): A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of His Vocal Texts (Thematic Catalogues) (English, Italian and Latin Edition) [Richard Charteris, Giovanni Gabrieli] on Amazon.com. Gabrieli was raised by his uncle, the composer Andrea Gabrieli. motet for 8 voices, C. 15, Domine, Deus meus, motet for 6 voices, C. 127, Donna leggiadra e bella, madrigal for 5 voices, C. 93, Dormiva dolcemente, madrigal for 8 voices, C. 115, Dulcis Jesu patris imago, motet for 20 voices, C. 128, Ego sum qui sum, motet for 8 voices, C. 29, Exaudi Deus justitiam meam, motet for 6 voices, C. 7, Exaudi Deus orationem meam, motet for 12 voices, C. 67, Exaudi Deus orationem meam, motet for 7 voices, C. 12, Exaudi me Domine, motet for 16 voices, C. 82, Exultavit cor meum, motet for 6 voices, C. 53, Exultet iam angelica turba, motet for 17 voices, C. 131, Exultet jam angelica turba, motet for 14 voices, C. 130, Fantasia sexti toni, for organ (attributed), C. S3, Fuga del nono tono, for keyboard (attributed), C. S5, Fuggi pur se sai, madrigal for 8 voices, C. 116, Hic est filius Dei, motet for 18 voices, C. 132, Hoc tegitur sacro, motet for 8 voices, C. 28, Hodie Christus a mortuis, motet for 12 voices, C. 133, Hodie Christus natus est, for 8 voices (contrafactum of "O che felice giorno"), C. C8, Hodie Christus natus est, motet for 10 voices, C. 40, Hodie completi sunt, motet for 8 voices, C. 57, In te Domine speravi, motet for 8 voices, C. 30, Intonationi (11) d'organo, libro primo, C. 240-250, Intonazione del decimo tono, for organ, C. 248, Intonazione del duodecimo tono, for organ, C. 250, Intonazione del nono tono, for organ, C. 247, Intonazione del primo tono, for organ, C. 240, Intonazione del quinto tono alla quarta bassa, for organ, C. 243, Intonazione del secondo tono, for organ, C. 241, Intonazione del settimo tono, for organ, C. 245, Intonazione del terzo e quarto toni, for organ, C.242, Intonazione dell'ottavo tono, for organ, C. 246, Intonazione dell'undecimo tono, for organ, C. 249, Jubilate Deo, motet for 8 voices (undated), C. 135, Jubilate Deo, motet for 8 voices (1613), C. 136, Jubilate Deo, motet for 8 voices (1597), C. 16, Labra amorose e care, madrigal for 4 voices, C. 90, Laudabo Deum Dominum, for 14 voices (contrafactum of "Magnificat for 14 voice"), C. C10, Lieto godea, madrigal for 8 voices, C. 113, Litanae BVM, litany motet for 8 voices, C. 63, Magnificat for 33 voices (incomplete), C. 151, Miserere mei Deus, motet for 4 voices, C. 137, Miserere mei Deus, motet for 6 voices, C. 9, Misericordia tua, Domine, motet for 12 voices, C. 69, Nunc dimittis, motet for 14 voices, C. 50, O Domine Jesu Christe, motet for 8 voices, C. 14, O Jesu Christe, motet for 6 voices, C. 139, O Jesu mi dulcissime, motet for 8 voices (1597), C. 24, O Jesu mi dulcissime, motet for 8 voices (1615), C. 56, O Jesu mi dulcissime, motet for 8 voices (undated), C. 140, O magnum mysterium, motet for 8 voices, C. 3, O sacrum convivium, motet (attributed), C. S16, Omnes gentes plaudite manibus, motet for 16 voices, C. 52, Plaudite, psallite, jubilate Deo, motet for 12 voices, C. 41, Quam pulchra es amica mea, for 8 voices (contrafactum of" Lieto godea sedendo"), C. C13, Quem vidistis pastores, motet for 14 voices, C. 77, Regina coeli laetare, motet for 12 voices, C. 49, Ricercar sopra "Re fa mi don" a 4 (spurious), Ricercare del septimi et octavi toni, for organ (attributed), C. S4, S'al discoprir, madrigal for 5 voices, C. 103-104, Sacrae Symphoniae: No. Compra vinili, CD e altro di Giovanni Gabrieli nel Marketplace di Discogs. 1 ‧ Canzon Septini Toni Nr. The distinctive sound of his music derived in part from his association with St. Mark's Cathedral in Venice, long one of the most important churches in Europe, and for which he wrote both vocal and instrumental works. Studying with the celebrated Orlando de Lassus had a huge influence on Gabrieli and aided him in developing his unique style of music. Giovanni Gabrieli (composer ca. His compositions were very influential on Italian and German masters. 1 ("La Spiritata"), for 4 parts, C. 186, Canzon No. Giovanni Gabrieli (c.1555-1612) is the greatest Venetian composer of the late Renaissance and one of the most significant figures of the period. Publisher and retailer, Robert Martin offers online sales of more than 50,000 scores, books, CD … (Antologia Sonora Della Musica Italiana - 7, Dal Canto Ambrosiano A Vivaldi, A Cura di Riccardo Allorto). 1: Canzon primi toni, for 8 parts, C. 170, Sacrae Symphoniae: No. Giovanni Gabrieli / Claudio Monteverdi: Antiphonal Music: Giovanni Gabrieli, Claudio Monteverdi; Canadian Brass, Boston Symphony Orchestra, New York Philharmonic, Kazuyoshi Akiyama: 2: 2004: Processional and Ceremonial Music (Choir & Orchestra of the Gabrieli Festival feat. 12: Canzon in echo duodecimi toni for 10 parts, Sacrae Symphoniae: No. Giovanni Gabrieli is an important transitional figure between the Renaissance and Baroque eras and their associated musical styles. Giovanni Gabrieli, Italian Renaissance composer, organist, and teacher, celebrated for his sacred music, including massive choral and instrumental motets for the liturgy. None [force assignment] Composer Time Period Comp. 21 ("con tre violini"), for 4 or 5 parts, C. 214, Surrexit Christus, motet for 11 voices, C. 66, Surrexit Christus, motet for 12 or 16 voices, C. 141, Surrexit pastor bonus, motet for 10 voices, C. 37, Suscipe clementissime Deus, motet for 12 voices, C. 70, Timor et tremor, motet for 6 voices (1615), C. 142, Toccata for keyboard (attributed), C. D11, Toccata for keyboard (attributed), C. D12, Toccata for keyboard (attributed), C. D14, Toccata primi toni, for keyboard (attributed), C. D10, Toccata quinti toni, for organ (attributed), C. S2, Udite, chiari e generosi figli, madrigal for 15 voices, C. 121, Virtute magna, motet for 12 voices, C. 42. Giovanni Gabrieli was a renowned Italian organist and composer, also a proponent of the Venetian school of music. Giovanni Gabrieli (ca. Giovanni Gabrieli. Giovanni Gabrieli (c.1553-1612) Works for Brass, Volume 2 . 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